夜已深 還有什麼人
讓你這樣醒著數傷痕
為何臨睡前會想要留一盞燈
你若不肯說 我就不問
只是你現在不得不承認
愛情有時候是一種沉淪
讓人失望的雖然是戀情本身
但是不要只是因為你是女人
若愛得深會不能平衡
為情困 磨折了靈魂
該愛就愛 該恨的就恨
要為自己保留幾分
女人獨有的天真和溫柔的天分
要留給真愛你的人
不管未來多苦多難
有他陪你完成
雖然愛是種責任 給要給得完整
有時愛 美在無法永恆
愛有多銷魂 就有多傷人
你若勇敢愛了 就要勇敢分
the story of my struggle
He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct. 

Who: Tony Leung
Age: 45
Know him as: Actor
Martin Scorcese's Oscar-winning "The Departed," a remake/rip-off of the nail-biting 2002 Hong Kong thriller "Infernal Affairs," turned off fans of the original for one unavoidable reason -- and it wasn't Jack Nicholson's scenery-chewing. It was the absence of the smoldering Tony Leung in the role of the undercover cop lost in a convoluted game of spy vs. spy. As good as Leo DiCaprio's Boston honk and flinty rage are in the remake, he just can't hold a candle to Leung.
But then, of course he can't. Leung is a professional smolderer; the guy's a virtual human Duraflame. Throughout the past two decades, in "Hard-Boiled" (1992), "Chungking Express" (1994), "Happy Together" (1997), "In the Mood for Love" (2000), "Hero" (2002) and "2046" (2004), he's left only glowing embers in his wake. In this year's "Lust, Caution," he added a sadistic streak we'd never seen from him before that caused us to recoil -- and still come back for more.
How, exactly, does he do it? We think it's the way he will occasionally hold our gaze -- a beat or two too long, with such haunted, hungry eyes we feel slightly bruised afterward, like we've had an actual physical interaction. We sure don't get that from Tom Cruise's maniacal, trademarked grin.
Observers are fond of referring to Leung as "Asia's answer to Clark Gable." But in film's new world order, Leung ranks as a much bigger global star than most of the pretty boys in Hollywood's (or People's) stable these days. And the fact that his roles are being recast for more middling American tastes doesn't just make him the poorer for it -- we're the poorer for it, too.